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Crowdfunding Monthly Roundup - April 2017

You may not know this, but ComixCentral started out as an IndieGoGo campaign! So we know the stress and difficulty of running a campaign first hand.

Because of this first-hand experience in a process that can only be described as “Nerve-wracking”, we have decided to shout out some of our favorite Crowdfunding projects (comics!) on a Monthly basis.

We have also started a forum just for showing off your campaigns and grabbing a little extra attention. Everyone can use some more attention! Don’t be shy, the squeaky wheel gets the grease guys!

And with that, may we present, the Crowdfunding Monthly Roundup.


Galahad and the Far-Off Horizon

Kickstarter Campaign

Galahad and the Far-Off Horizon is a 130 page collection of five stories, set in a fantastical world of witches, golems, and magical creatures. The interconnected stories, written by Hansel Moreno, are each illustrated in a unique art style by Julian Adkins, Chan Chau, Devin Kraft, Maria Frantz, and Julie Godwin. The book also includes companion illustrations for each story by multiple artists. It’s fascinating to see the artists’ different interpretations of the characters.

The Garden of Galahad (49 pages) is a story about love and dedication. Galahad, an enchanted suit of armor, carries out the wishes of its master until the young witch Brynne interrupts its peaceful routine. Over hills, by seasides and past the ruins of old castles, the pair embarks on the journey of a lifetime. This story introduces the world in which the rest are set: The Witches Laugh (8 pages) introduces us to a powerful coven.

Broken Keep(14 pages) looks back at the early life of Galahad’s creator, Lance. Tougher Than The Hills (26 pages) uncovers a mistake Brynne made in her youth. When Magic Was Free (14 pages) details the tragic beginning of the series antagonist. The stories explore themes of friendship, responsibility, determination, and self-discovery amid the backdrop of a magical world and fantastic creatures. The anthology is a product of over two years of collaboration between the writer and artists. Galahad and the Far-Off Horizon is now live on Kickstarter and is expected to be available in summer 2017.

Come throw your support behind this awesome project that has been in the making for 2 years! A labor of love, comes across in every page.

Kickstarter Campaign
Two mismatched detectives hunt a prophecy obsessed serial killer through a post-apocalyptic seaside town. The Last Exit to Brighton from Mad Robot Comics - Matt Hardy making Comic Books. Really Quirky Comic Books.

“How sordid, how vile could you be? - Could you commit great evil to save your immortal soul?”

Check out Ed Bentley’s stunning first page for Last Exit 2: Robo-Nazis of Hove. We are going to punch so many Nazis in this story.

This is a completed project - an extra Special Edition of an existing work (but thankfully without George Lucas’s involvement). The book is just waiting to be sent out to backers - so unless the world ends we cannot fathom a reason why this book wouldn’t be in your hands immediately.

If the world does end - they’ll still get the book to you somehow 🙂

Get this awesome Graphic Novel Here: Kickstarter


Barnstormers!

Kickstarter Campaign

http://kck.st/2nYEjDS


Kickstarter Campaign

Guys, these books look badass. Let’s help these guys make it happen!

Back this campaign here: Kickstarter


Kickstarter Campaign

http://kck.st/2om26z0

If it’s from Enjoy Comics, you know it’s gonna be gooood!

Support the campaign here; Kickstarter


And that’s it for now! If you’ve got a Campaign you think belongs on our list, let us know!

@comixcentral

 





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The Voice of Kryptonite: Top Ten Reasons Indie Comics will Conquer Superman

Good evening, purveyors of powerful paraphernalia, and welcome to a new edition of indie comic exploration.

Let me begin by apologizing. I know that Facebook fever has you sick with Top Ten-donitis. No, I’m not funny, but I am compassionate toward millennial attention spans and the fact that we’re losing to goldfish. So while we’re trapped in this electric desert whirlwind of media madness, we may as well get to it.

Here are my top 10 reasons you NEED to roll the dice in the game of indie comics. Don’t worry. I promise no more Monopoly metaphors.




#10. An Aardvark Said So!

That’s right. An aardvark. It is with great honor and respect that I insist we bow our heads to yet another amazing Canadian. No, he’s not an aardvark, but he is brilliant. His name is David Sims. He created the very first technically successful indie comic in 1977. Now I love that date for 3 reasons: Star Wars, Cerebus the Aardvark, and the year my girlfriend came into existence. Seriously! This dude was a mastermind behind breaking every rule in the comic universe. What started out as roughly a parody of Conan the Barbarian would go on to tackle serious territory where other comics didn’t have the matza to really tread at the time. The art style changed. The page layout was sometimes randomized. The topics were literally whatever David wanted. It survived the bellowing battalions that were DC and Marvel because it was so unique, so well drawn, and so well crafted that people literally HAD to read it. If I may be so bold to say- it is the first indie comic that was truly undeniable. Dave even said up front that the character was going to die after 300 issues and people STILL went for it. Lastly, the hero is an aardvark. An AARDVARK! Arthur’s got nothing on this pimp. Screw him and his after-school jingle.

Image credit: David Sims

#9. The Numbers

Like I mentioned earlier, our attention spans are sad to say the least. However, have no fear of any lack in mental staying power. Our membership amount will keep your ADHD mind short-circuiting ‘til rapture, and you’ll keep begging for more during the transition of the soul, I assure you. Okay, let’s take “success” out of the equation because its definition varies from artist to artist. Have you ever seen A Bug’s Life? There’s a scene in it I’ll never forget where the main villain, Hopper, is explaining to one of his underlings the value of numbers. Essentially, if the ants ever figured out that they outnumber the grasshoppers exponentially, then the grasshoppers would lose their power. We, the seemingly indecisive and insignificant inciters of indie incident, are the ants. The great gargantuans, Marvel and DC, know this, but there’s nothing they can do. Make no mistake- they’re still sitting healthily at the top of Money-Maker Mountain, but we have surrounded them with awesomeness. The indie arena is an ocean of creativity, and the original golden palace is eroding.

#8. The Speed

DC may have created Barry Allen, but we are The Flash. Why do I separate it from numbers, you ask? Well, my frequently friend-zoned compadre, it’s because of my meticulous nature. You see, while the two goliaths are indeed taking risks, they have to go through an approval process. We do not, for the most part, have to deal with red tape. While there’s certainly major advantages to having a well-paid corporate team on your side, that’s a lot of cooks in a big kitchen. Individual creators may indeed be the sole chefs of their destiny. Indie comics have an edge in both output and volume as long as creators have enough passion under their feet. We can produce what we want, when we want, however fast we want it (sort of). We don’t have the marketing or production budget of Detective or Marvel, but we have other advantages.

#7. The Variety

Both DC and Marvel have created some incredible heroes, no doubt. Here’s the thing: you know them all! And even if you don’t, you’re going to burn out on fan service way before indie comics come close to dying. Want a horror comic that’s also a comedy and doesn’t mind destroying 1950’s purity? Try Afterlife with Archie. How about Final Fantasy meets drug use, alcoholism, rats, and a spoon-full of friendship? Take a stab at Rat Queens. Need a comic about orgasms stopping time? Try Sex Criminals. You won’t find any of this in Marvel or DC. I’m not saying they don’t have variety of their own.

However, when you have the courage to step away from the original superheroes and see what magic exists in our world, you’ll level up faster than you think.

#6. Easy Integration

This one may require some clarification. The major players in comics these days usually have lots of overlapping and complex storylines requiring you to buy multiple issues of various comics in order to keep it all straight. It’s a gimmick big companies use to get you to spend more money. If you’re loyal to the brand, it works. There’s nothing inherently wrong with this tactic.

In the indie world, though, you can become a part of the community instantly and easily.

The stories are intricate and interesting, but not a lot of insane crossover and backstory is required. We love people on this side of the fence, and we don’t judge you for loving the giants. We love them, too. However, for our new ink-addicted travelers, our rides are easier to manage. Marvel might be able to afford a subway system, but we’ve got Ubers waiting for you wherever and whenever you need them.

Image Credit: Stephen Smith

#5. Image Comics

Anyone who loves indie comics knows that this company was and is a game changer for our side of the table. Here are the basics: some really talented people over at Marvel were like, “We want more creative power,” and Marvel was like, “No,” and the angry peeps went, “We’re gonna start our own company,” and Marvel went, “Good luck losers,” and then Todd McFarlane went, “Spawn!” Yes, another amazing Canadian to the rescue. Image is one of the main gatekeepers for the indie(ish) artist. The print is real high quality, and the company is still driven by creativity. They are technically keyholders, but in the best way. Image Comics is more about creative quality and less about following trends. The company has a decent market share and has earned a great deal of respect in the comic and storytelling community in general. I give props to Kevin Eastman and IDW of course, but there’s something really special about creators breaking away from the safety of a conglomerate and taking a huge risk based on their collective skill level. Spawn of course went on to be a massively successful franchise, despite doubt. The whole thing reminds me of a frisky aardvark for some reason.


#4. Freedom+Risk= New Trends

Sugar, spice, and everything not necessarily nice. Let’s not forget accidentally spilling some well thought-out storytelling in the mix. Yes, that was a painfully produced Powerpuff parody, but alliteration is like medicine to me, and I needed my fix.

Trends are now the natural byproduct of speed and creative freedom. When it comes to risk, the Big Two need time to adjust. The idea of weaving new characters into an established comic to determine marketability is effective, but ultimately an old business model that began in the 40’s and 50’s.

Indie comics, on the other hand, are less about testing the market and more about jumping for the sake of the free fall. While superhero stories still live in a maze of rules, Indie comics have no walls. While that amount of freedom is certainly challenging, indie comic creators are brilliant at creating their own rules within the world they establish. We could talk about Image again, and how their critically acclaimed Walking Dead is bringing horror back to life. Maybe we should mention Frank Miller and Dark Horse blending indie with Hollywood. Remember what I said about speed advantage? I think the most exciting thing is how quickly Indieland adapted to Internet culture. We were doing digital way before DC or Marvel, and this is just one of many examples where the masters of mainstream had no choice but to follow suit. This brings me to my next point…

#3. Indie Marketing Magic

Thanks to the budget of the industry giants, they can shove stories in your face with massive paid ads and suite-wearing sadists. We, however, get to be shameless in our own way. We can vomit an origin comic at the drop of a hat for free. We have the luxury of “pay what you want” campaigns. We can do cheesy low budget ads that give our audience an immediate glimpse of our own vulnerable reality. In some ways, the heroes we’ve been loyal to forever have to remain in the past to be successful. Modern stories don’t have the luxury of overdosing on member berries (check out South Park to understand that reference). In order to compensate we have to reach into a bag of tricks that the Big Two are simply too big to understand.

#2. Deep Impact (Gravity Always Wins)

Yes, I’m sort of referencing a terrible movie with Morgan Freeman, but it’s also a metaphor for how we reach our audience. I nodded to this a bit previously. Authors of indie comics can create grassroots movements rather easily. There is a strong desire to have real relationships with fans. It’s why crowd-funding isn’t frowned upon in our world. While bigwigs live in the money palace, we get to hang out in the slums of sensational storytelling.

At their center, indie inventors’ hearts beat with want and desire. We love how a story brings people together. It’s less about privacy protection and more about forming a support system where fans and artists work as a collective.

We can’t win by force, so we win with genuine emotion.

We not only bring new audience members to our world, but we also have the courage to bring them back down to earth with us. That’s the beauty in all this. We won’t make you go anywhere, but once you show up, you never want to leave.

#1. We Are an Underdog Story (and the underdog always wins)

Everyone wants to root for a new hero, and we have new heroes coming out of the woodwork everyday. The ultimate twist is that this is not a competition. Even the big guys want us to win. We’re all creators here. The whole reason we love this art form is because the world needs heroes (yes I’ve said that line before). Indie comics fill a need that nature is desperate for, and through it all, Batman and Superman are actually on our side. If we stay the course, they will follow us anywhere. Unlike a lot of art, comics haven’t been damaged by the digital age. Online love is just as hyped as holding the real pages of a freshly unwrapped comic. Why? Because comics are as much about collecting gems as they are about the stories themselves. In other words, the internet hasn’t driven away a desire for the real thing.

Image credit: dannycruz4.deviantart.com

Final Thoughts

Here’s the secret, and it’s the best news. Superman will never die, as long as he dodges Doomsday of course, but he WANTS to be conquered. He’s tired of bearing the gold crown of goodness. Batman is no help because you know those two constantly bicker. Rich dudes always be bitch’n ‘bout things. I love me some Stan Lee, too, but he’s got to be exhausted!

That’s where we come in. If we can reach our hands to the sky as a team, the burden of heroism will feel lighter than air. Who knows, maybe the gravity of our situation is really just the force that teaches us how to leave the atmosphere. Trust me. Superman is up there somewhere waiting with a smile on his face, and he’ll probably say something like, “It’s about time. I told you, you didn’t need a cape to fly.”


Thanks

I want to thank CNBC, ComiXology, IGN, Wikipedia (yes Wikipedia), Image, Darkhorse, www.thecomicbooks.com, Amazon, www.creatoratlarge.com, Comics Beat, and of course my amazing nerd friends for some of this source material. Thank you for helping build a universe that makes me feel right at home.

 





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Motivation

My mother was born in a small village in Guanajuato Mexico.

Her mother was dirt poor even by 1930’s Mexico standards, which is really saying something. Her father had died before she was born. He was trying to catch a ride on a bus. It was one of those old-fashioned buses with the standing platforms on the corners and handlebars to pull yourself up in case you were running to catch the bus before it drove away. At least that’s the vision of it in my mind. The good news was he caught the bus. The bad news was he couldn’t hold on to his grip on the handlebar. So he was buried a couple of months before he got to meet my mother.

My grandmother already had an older daughter and had no way to support them both. So she immigrated to the United States. But she couldn’t take the girls with her. It was going to be all she could do just to keep herself alive. So my mom and aunt went to live in an orphanage. Grandmother told them she’d be back to get them when she could afford to provide for them. And then she left.

I’ve heard a lot of stories about that orphanage over the years.

About how mean the nuns were. How’d they dispense beatings for trivial slights. About how hard the children had to work every day. About how they barely had anything to eat. About how my mom had to sneak into the pantry in the middle of the night and eat raw oats because she was so hungry she couldn’t even sleep. It was many, many, many years after she left the orphanage before she could bring herself to eat a bowl of oatmeal again.

But leave she did, along with her sister. Grandmother came back. She had found a job and a home. She could provide for them again, but only in Texas. The problem was getting them across the border. So late one night she took the girls for a ride on a small handmade raft across the Rio Grande. And before she knew it, my mom was in McAllen Texas, living in the first real home she had ever had.

Over the years she watched her sister have two girls of her own and then waste away due to unchecked cancer. My aunt died a couple of years after I was born. My mother managed to have a lot more kids, though. 8 in all (I’m the youngest). She met my father in McAllen. He was a native of Illinois, having come down to Texas to start his career as a journalist. He was working at the McAllen Monitor as a cub reporter. Mom says she knew immediately that he was the one. He took a couple more jobs over the years before settling us all down in Houston, where he got a position as a reporter for the Houston Post, since closed.

We visited grandmother several times over the years in her little house in far south Texas.

She never did learn to speak English. But she had worked her ass off for decades and paid off that house. She had her daughter, grandchildren, and great-grandchildren. She always seemed happy to me, even though I couldn’t communicate with her. She passed away while I was serving in the Army in Germany. I think if I could have asked her, she would have told me she had a good life.

It’s probable that all my memories from those years played a role in my dreams one night. I woke that night to a vision of a young Hispanic woman beating the ever loving hell out of another woman. Why, I thought, am I having THIS dream? The setting of the dream looked exactly like the small towns of south Texas near the Mexico border that I had visited as a youth back in the 70’s and 80’s. But I couldn’t shake the dream. It returned several times over the years. With more characters and developing storylines. I’d be at work, completely unable to focus because I had suddenly thought of a new plot twist to the story. I’d spend all of my time on the treadmill at the gym thinking about ways to advance the story to its next logical step.

So I finally decided I had to write this book.

I thought I could be like my dad and brother. They’re natural born writers. Stories flow from their fingertips. Meanwhile, I stared blankly at the computer screen. Unable to fill a single page much less an entire chapter. The characters didn’t seem real to me if I couldn’t see them. I realized if I was ever going to make this book I was going to have to draw it out. And why not? Illustration was always my greatest talent as a child. Just because I had abandoned it as an adult didn’t mean I no longer had it. But where was I to find the time? I had a full-time job plus a family to support.

That’s when Saudi Arabia stepped in. They decided to kneecap the US oil industry by no longer artificially supporting the high cost of oil. So the oil industry crashed and my job went bye-bye. Hello free time! I spent the last 8 months of 2016 reacquainting myself with how to draw the human form and how to make comics. After a few tries, I finally finished chapter 1 and built a website to host the book online. I had finally, after 45 years, found my true calling in life.

Unfortunately, I had to go back to a regular job.

The money was drying up fast and I knew I was a long way off from making any money as a graphic novelist. So I’m back to working in the oil patch. But now, instead of spending my free time watching Houston teams lose on television, or working on odd jobs around the house, I work on my book. I don’t know how long it’s going to take me to finish these books (oh, did I mention this has turned into a trilogy?), but I know that I will do this. Like my grandmother paying off her house, it may take decades of hard work. But I think about how hard she worked over her life. And my mother too, raising so many kids mostly by herself. In three generations this family has gone from living in absolute poverty in Mexico to living a comfortable middle-class life in the suburbs of America. If I don’t finish these books, what would my grandmother and mother think of me?





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DOKTOR GERALDO

For this day of ComixCentral Conversations, we take a bit of an unexpected turn! Today we bring you a newbie to the game.

You see, we’re not just interested in how the experts get things done, but also the journey that all creators must undertake to get to “Level expert”. Indie comics are not about perfect stories and artwork, polished and edited till they loose all their soul. Indie is about sharing your voice however you choose to share it. You’re unique spin on the world, straight from the horse’s mouth… no corporate interference. And we, the indie community, celebrate all creators of our beloved medium, at all levels in the game.

And so we present an underground sensation in the making. A creator you are sure to hear from as he grows his craft and develops into a full fledged tour de force in the indie comic realm. Keep your eye on Doktor Geraldo, we predict great things.


Hello Doktor Geraldo and thank you for talking with us today! Could you first tell us a bit about yourself, and the comic you’re currently creating.

DG: I’m a 46-year-old road worker from the north east of England. I live in Whitley Bay, a fading Edwardian seaside resort. I work night shift, and I’ve got three sons, so my spare time is limited. When I do get time to myself, I enjoy making comics. I find it relaxing. I recently released my debut comic, the first part of a four-part series called Spec Ops Hobo. This first instalment, entitled The Best, introduces the protagonist, Johnny Higgins.

What made you decide to start making comics?

DG:I used to draw single page comics in the late 80s, and give photocopies to my friends. These were pretty much in the style of Viz, the legendary local comic we all grew up reading. I gradually just stopped drawing in the early 90s, and then I recently had my interest piqued by my eldest son, who collects comics. He showed me some indie stuff he’d recently purchased at a con, and I immediately thought “I’ll have a bit of that!”

I came up with a great idea for a science fiction comic called Flangu, about a boy who makes a cardboard robot which helps his family, but which ultimately threatens mankind. Flangu describes the advent of nanocardboard, a revolutionary new packaging material intended to cut down on packaging and shipping times. The robot is inadvertently made using a sheet of nanocardboard, and quickly hooks up to the Wi-Fi and becomes sentient.

 

I spent a long time planning this idea, to the extent that I had creative block before I’d even created anything. I decide to shelve Flangu, and switched to what had originally been intended as an incidental detail, a fictional movie within the framework of the comic. Spec Ops Hobo. I quickly realised I could make this into a series, so I just went with it.

Where do you get your inspiration and ideas from?

DG: Higgins is inspired by a real person who lives in my town. Spec Ops Hobo is, at its core, a study of those marginalised by society due to poverty, homelessness, mental illness, and other similar factors, and it is a celebration of and tribute to those unfortunates who are exploited and condemned by the relentless, unforgiving machinery of global capitalism.

This is all very noble and valid, of course, but it would make for a boring comic. I deliberately avoided making this a dreary pamphlet, and instead opted to cloak these weighty themes in a velvet blanket of tits and killing, adventure, and a few laughs along the way.

Spec Ops Hobo – The Best is set mainly in an unspecified Central American hell hole, in 1985, and pays homage to the machismo and excess of 80s action movies, with a nod to classic boys’ comics like Victor and Warlord.

In general I am inspired by films, music, art, literature, and even things like podcasts.

What’s the one thing that you absolutely could not live without during the creative process?

DG:I’m overlooking the staples here, like pencil and paper, and teabags, and I’m going to go for my phone! I use the camera on my phone to photograph figures, or groups of figures. The resolution on today’s camera phones is superior to most home scanners and printers, and I like the effects that you can achieve.

I also use free apps on my phone to do rough page layouts and scaling, and to superimpose figures and scenery onto watercolour backgrounds. There are apps to create alpha layers and cut out plain backgrounds and so on. It’s good to play around with an old-school drawing and a smart phone.

What resources do you rely on to make your comics?

DG: We live in a golden age of creativity. The digital world allows anyone to create, music, film, animation, and comics using a wide variety of free technology that I couldn’t have dreamed of as a teenager.

You just need a little bit of talent, and some ideas.

I would highlight free apps and software that are widely available. As a new creator, I don’t really want to lay out thousands of pounds on state of the art software and equipment. I’m a firm believer in the adage: “All the gear and no idea!” I think it’s important to learn your craft using basic resources, and then invest in some swanky kit further down the line, when you’ve earned it.

I did treat myself to a small selection of copic markers, which I’d never used before. They are my go to medium for comics, and they’re well worth the price.

I’ve also printed off a prototype A5 fanzine of Spec Ops Hobo – The Best, and I’m thinking of doing a limited run for those who absolutely insist on holding paper in their hands.

 

Who are your biggest inspirations in the comic realm?

DG: The first person to approach me directly on Twitter and express a liking for my work is a comic artist from Alabama, Stefani @magicianshouse. Stefani is the artist on Project Shadow Breed, and she also drew the forthcoming Corsair, written by Nick Gonzo, both of which are outstanding.

Stefani saw my posts on @ComicBookHour, and offered to draw a pinup for Spec Ops Hobo, and as I was still working on part one, I asked her to do the cover. She came back with a fantastic illustration. I was encouraged to receive feedback from someone involved in the indie comics world, and Stefani has just written an experimental short that I am illustrating. This is quite a controversial piece, and it will release in August to coincide with a certain centenary celebration…..

Coincidentally, Nick Gonzo (@nick_gonzo) was the creator of the indie comics my son showed me: Pictures of Spiderman, and 50 Signal 1 and 2. He is part of Madius Comics, the team behind Papercuts and Inkstains, Griff Gristle, Laudanum, and many more. Gonzo has kindly agreed to illustrate the cover for the third part of Spec Ops Hobo.

Another great creator is Olly Cunningham at Black Lines Comics (@black_lines_). His work is very, very funny, and he’s got a unique style.

Lastly, I’m blown away by the astonishing output of an Australian creator called Ryan James Melrose (@RyanJamesMelros). This guy must be the hardest working man in comics.

Where do you hope to be in 5 years creatively?

DG:This year I want to complete the remaining three parts of Spec Ops Hobo and release them on Comix Central. I would also like to release the entire series as a trade paperback, but I think I will print a run of each issue myself for now.

I would like to build up Digital Pastiche, my fledgling production company, perhaps even bringing new creators into the fold. I’m also collaborating with Stefani @magicianshouse on a short, and we’ll hopefully be working together in the future.

Next year I want to focus on Flangu, and I should have more of an idea having cut my teeth on Spec Ops Hobo.

I will continue to network and promote my comics in my inimitable fashion. I adhere to the philosophy of “shy bairns get nowt”, and I’m not afraid of appearing overly forward. This has come back to bite me on the arse a couple of times already, but it’s all part of the learning curve.

In five years, I would like to be releasing comics that I enjoy making. Hopefully, people will enjoy reading them.


And that’s it for this one. So freakin’ inspirational in my book! If this interview doesn’t make you go, damn.. I can do this… I can let my inner comic creator out! Then I don’t know what will!

We want to thank Doktor Geraldo for taking the time to share his journey and inspiring story with us. Thank you for showing everyone that a little bit of passion and a lot of hard work will get your where you want to go. We can’t wait to see what you’re going to do next!

If you’d like to learn more about Doktor Geraldo, buy his books or just connect, we’ve got the links for all that good stuff below.

Now, go make some Comics!


Connect with Doktor Geraldo

comixcentral.com/vendors/doktor-geraldo-store

twitter.com/doktorgeraldo

facebook.com/doktorgeraldo

payhip.com/doktorgeraldo

instagram.com/doktorgeraldo

imgur.com/a/ErIrT

Get Spec ops Hobo


 


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OUR TRUMPED-UP COMIC

 

Well,
we doubt the rest of responsible America will be much cheered, but for
us personally, there’s at least one silver lining to Trump’s winning the
election this year: our new comic isn’t going to seem so dated.

When we began writing BOB: NON-UNION PSYCHIC # 1 last year, Trump hadn’t even clinched the Republican nomination. Like
almost everyone else who’s gazed on him, though, we couldn’t help
noticing the demagogue’s ‘do.

Let
us level with you on this: when you’re writing a book about a psychic
barber, you are always on the hunt for fun and/or relevant hair-related
material. And the mane on that man? It was like a gift.

So we came up with a reactionary rabble-rouser by the name of Atticus Jackson,
whose curious perm may figure into a larger mystery BOB is trying to
solve. And Ol’ Jackson, he would have been a just dandy addition to the
BOB mythos, we found ourselves grumbling later - if not for the
production delays that pushed our new issue past the election. Like
most people, we were certain Trump would be history after that, and BOB: NON-UNION PSYCHIC #1 would be dated from the very moment of its release.

If only…

But we’ll take our comforts where we can right now.

Learn the secret of Donald Trump’s Atticus Jackson’s hair in BOB: NON-UNION PSYCHIC # 1 “The Legend of Legros.”


 


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CHAD COLPITTS

Daaamn ComixCentral! Back at it again with a killer Comic Creator interview!

Today we are chatting with the hilarious and delightfully quirky minded Chad Colpitts. Chad is a huge advocate for people looking at butt cheeks as much as possible and we’re inclined to help him out!

You simply can’t miss his iconic, laugh inducing work in “The Streaker” and he’s making us laugh uncomfortably again in “B-Movie Garbage”.


Guys we are honored and tickled that Chad took the time to fill us in on where he’s been, how he got there and how he’ll continue to “go there”. Enjoy! (FYI- Chad may have been naked while answering these questions.. But we’ll never tell;)


Hi Chad! Thanks for taking the time to answer some of our questions. First off, please tell us a bit about the comics you’re working on right now.

Chad: At the moment I have two comic series on the go. The first series which is now on issue 3, called The Streaker. The Streaker is your average superhero story, except this hero is constantly naked. I know what you’re thinking, but I promise he’s not some weird pervert. He’s just another poor victim of radiation exposure.

After being exposed to radiation, our hero gets radioactive skin that burns everything he touches . . . including his clothing. Since he is forced to be naked he hides out in a nudist centre, and reluctantly fights crime under the guidance of the centre’s janitor. Together they run afoul of some truly bizarre villains, including extremist nudists, and robotic geniuses with phallic shaped acid cannons. This series features the eye poppingly pleasant art of Matt Garbutt (Oh Sh**t Zombies), which is sure to impress (I’m confident on this because it’s great, and my mom really likes it).

The second series is surprisingly and delightfully more inappropriate than The Streaker. It’s an anthology series we like to call B-Movie Garbage, which showcases our own homages to B-Grade cinema. You’ll see campy, disgusting, and slightly disturbing tales that you can never unsee.

The first issue is part 1 in a 3 part tale titled EMOS, where a demonic plague spreads through a highschool turning everyone into the titular fad. In issue 1, witness the possibly accurate origin of the EMO fad, along with some unconventional uses for the human skull. With the inspiredly grotesque art style of Cam Hayden (Futility, Red Flag) to disgust and entertain, we are hoping this will be a must read for B-Movie fans.

What kind of comics do you make?

Chad: At Tongue in Cheek Comics we create a certain kind of comic . . . the kind you didn’t even know you wanted. Our goal is to bring bizarre unique comics which span a variety of genres, and will hopefully entertain even the angriest of nudist extremists.

When did you get your start?

Chad: I self published and released the first issue of The Streaker in August 2015. I guess that could be considered my start, and hopefully there is no end in sight.

What made you decide to start creating comics?

Chad: I’ve always been a daydreamer with my head in the clouds, full of weird bizarre ideas. I was never really sure what to do with them, until I started reading comics again.

I realized comics would be a great format for my ideas, and would give me a chance to bring these stories to life in an exciting, artist, and slightly affordable way.

What motivates you? How do you keep creating through the times when you might feel like giving up?

Chad: Whenever things get tough I rely on the support of my family (like my very supportive mom and sister), friends, and girlfriend Megan Hodgson (brownie point name drop). Plus, I’m always lucky to be working with talented artists who keep things timely and professional. In the end I know I can’t really give up, because the Streaker is way to powerful to piss off. I guess motivation comes easy when your life depends on it.

Your books are wildly creative, where do those ideas come from?

Chad: I’d say my inspiration comes from years of cartoon watching, comic reading, and a devotion to all things movie/ pop culture related. I like to use my comics to satirize or pay homage to the things I love. So basically you could say all the time I’ve spent sitting on the couch in front of the TV was just training for my comic career.

What is the one thing you couldn’t live without?

Chad: My laptop. That is where I awkwardly type (or hen peck) out my comic scripts.

What was the first comic you published.. Any memorable experiences during the process?

Chad: The First comic I published was The Streaker. One of the more memorable/ awkward moments of the process actually came about with the act of payment. When I first started off the artist Matt Garbutt didn’t have paypal, so to pay him I have to go into the bank and wire him money. When I would do this the bank employee I was dealing with would ask me what the money was for and I would respond “for a comic”. Of course they would say “that’s a lot of money for a comic”, then I’d explain it’s actually the art for my own comic. All this would lead to the obvious question, and the awkward answer. “What’s your comic about? Well . . . (I have no choice but to tell them) a naked superhero. Then the look, and the polite response of fake interest. I would blush and show them a picture, all while secretly enjoying every minute of the exchange. I got to experience this a few times, and it’s entertainment level never really diminished.

Is there an interesting story you could share with us about your creation experience?

Chad: People always ask where I found an artist for The Streaker, which is a great question since I live in Canada and he lives in the U.K. The answer is freelance.com. I set up a page saying I had a comic idea and was looking for an artist. I actually had two hits before Matt, both didn’t really fit. The first one was a very nice lady, but after hearing the idea she had to admit it was definitely out of her comfort zone. The second guy said he would do it, but I’d have to change some things in order to make them less offensive and more appropriate. Which of course wasn’t really something I wanted to do. Then Matt heard the idea, and basically said “I love it when can I start”. So it was an obvious choice, and I’m very glad I made it, because his cartoony style works perfectly for The Streaker. Plus he’s a great guy to get along and work with.

Do you prefer to work with a team or alone.

Chad: Since I don’t have a shred of illustrative talent, I’ll always need a team. However, I’m thrilled by this because it gives me the opportunity to work with extremely talented artists. I also find it very cool to have different ideas brought to life with different styles and visions. It gives us diversity throughout our titles, and gives me a chances to work on my flexibility as a writer and publisher.

Chad, do you have any superstitions, or rituals you can share with us?

Chad: I have a certain pair of socks that I wear to every show or con I attend. They’re lucky socks that I was given as a groomsmens gift at a best friends wedding. The wedding was a success with zero casualties, broken bones, or sullied vows, so they are definitely lucky. Plus, they’re a reminder of the constant support I have from my friends (who are the ones that will always buy my comics no matter how horrible). The only real downside of this superstition, is when I forget to wash them between shows. If I do that things can get stinky and I should apologize in advance to those sharing a table with me.

So, what can one expect when they pick up one of your comics?

Chad: Here are two pages from our comics, to give an idea of what to expect from each series. Also to showcase the fantastic artwork you’ll find inside each book. The first page is from The Streaker #2 and the second is from B-Movie Garbage #1.

How can the good folks of the world find out what you’re up to Chad?

Chad: If you want to know more about Tongue in Cheek Comics and the series we publish, you can find us on Twitter @TiCComics or at www.facebook.com/TongueinCheekComics/ . You can also contact us at [email protected] , if you want to know where to pick up print copies or if you want some sent to you.


Well, we’ve come to the end of our interview. This is always an emotional time for us. We love digging into how creators get their amazing comics out in the world and we know you guys love reading about it!

We want to thank Chad again, for sitting down with us and letting us into his world for this brief time. If you’d like to learn more about Chad, buy some of his comics or just stalk him a little, you’ll find all the links below.

Now go make some comics!


Connect with Chad and Tongue in Cheek Comics

[email protected]

Twitter @TiCComics

facebook.com/TongueinCheekComics

Comixcentral : @tonguecheekcomics

Grab The Streaker | B- Movie Garbage





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RANDOM ENCOUNTER COMICS

Oh ho ho! Do we have a treat for all you Comicbook lovin’ good people. We managed to corner the gents from Random Encounter Comics and shake them until all their secrets fell out.

These guys are making some shockingly great stories, with some of the most unique art pages we’ve seen.. well.. anywhere! This is what indie comics are all about.

So if you are into making comics and are looking to pick up some tips, dig a behind the scenes peek into creativity or just have major crushes on Adam and Colin… get ready to have all your dreams come true. We love these guys! Let’s get going!




Hey guys! First of all, could tell our readers a little bit about your book, yourselves and your company?

REC: Folklore is a post apocalyptic horror story set in a world where earth’s mightiest heroes have been warped and twisted into hungry predators. It’s the only series handled

Adam handles the writing and social media, Colin the illustration, and together they try not to be absolutely obnoxious while trying to excitedly show off their work. It’s a two man show and our first foray into the comic industry. They’re so new, they’re not even sure when it’s ok to talk in third person during an interview!

On ComixCentral we showcase our work under Folklore Comics, but our official studio name is Random Encounter Comics!

What kind of comics do you create?

REC: Right now we’re focused 100% telling Folklore’s story from start to finish. Although Folklore’s background is rooted in action-oriented superhero culture the core of our stories lay in exploring the nature of horror — whether it be through terrifying abominations or a more psychological kind of fear.

We want you to grow attached to the people and places you meet in our world, but maybe expect to lose a little something along the way.

When did you start working on Folklore?

REC: Folklore has been a personal project of ours for quite a while now, but we’ve only just begun to share it publically for the past year. Using our spare time between work and other professional projects we came up an initial concept and very rough storyboard. It took a while for us to finalize things like character design and comic layout, but the time spent working on it all really gave us the time to see how expansive the comic world really is.

Where did the idea for Folklore come from and what made you take the plunge into creating it?

REC: The original recommendation to start a comic was inspired by a mutual friend, who recommended we pool our talents to create something memorable! Our friend was British, so he recommended a time travel plot. We decided to go in a very different direction.

In a lot of ways Folklore is a collection of personal fears as much as it is a reflection of the way society builds history and legends over time.

Everybody gets discouraged wants to quit sometimes. How do you guys keep the motivation going?

Adam: What’s great about what we do is that our work is broken down in half, so there’s a lot of motivation between the two of us to make sure we’re both keeping Folklore up to par with our expectations. Not only that, we have an incredible group of readers. I don’t think we ever expected to receive the support we did on Patreon.

Colin: I think we’re both so absolutely excited about getting Folklore out there that when we do feel burnt out or throwing in the towel, we remind each other to keep on going. That kind of encouragement is a great form of motivation, as is support from our Patrons and supporters. It’s a pretty incredible feeling when we come across reviews of our work or when readers express their enjoyment.

Is there any advice you wish someone had given you when you were first starting out?

Adam: Plan ahead, and try to set realistic goals. We’ve overestimated the workload Colin could handle illustrating in the past, and it just adds a lot of unnecessary pressure. Take your time.

Colin: Agreed, the bulk of the work really comes from planning out each issue and we’ve learned it the hard way.

A solid plan can actually speed up the rest of the illustrating work.

Folklore is obviously a very unique and creative story. Where do you get your ideas from?

Colin: Plenty of films and stories, there’s such a rich library out there to be inspired from. I have my favourites like Star Wars and The Witcher novels, Mike Mignola’s work and Akira Kurosawa, as well as drawing from my own personal experiences.

Adam: Anywhere and everywhere. I wish I could say there was a single medium that inspired me, but I jump around a lot. Any good story that focuses on character growth and world building is bound to grab and hold my attention. It just makes me want to create.

What’s the one thing (tool, process, etc) that you absolutely could not live without during the creative process?

Colin: Thumbnailing. Definitely Thumbnailing. There’s nothing harder than jumping straight into a page and just winging it. Working from thumbnails allows me to lay out any ideas we have and to direct the flow of our art and writing.

Who is your favorite writer, illustrator, actor.. Etc. And what do you think you’ve learned from this person.

Adam: It’s hard to say who my favorite writer is, but when it comes to comics I think it was Matt Fraction and David Aja’s run on Hawkeye that really showed me how incredible comics could be. I always try to keep in mind their creative paneling when trying to highlight action. Their humor goes a long way in bringing humanity to each character. Plus, Pizza dog.

Colin: They did a bloody awesome job on Hawkeye and I love the way they treated the visuals and panel work. As for me I’m a big fan of Scott Snyder’s writing for Court of Owls, and Greg Capullo’s art really brings the thrill and mystery of Batman to life. Mike Mignola is up there as well. His use of negative space to direct the flow of his story is a fantastic study.

Are there any funny or interesting tid-bits you could share from your experience working together making comics?

Adam: I guess there was the time I thought we were really cool and progressive for having an elderly woman as a badass sniper. Then Overwatch’s Ana came out.

Colin: I’m still bitter about that, but was just as excited when I saw the reveal.

Adam: It was like a mix of ‘Yes I’m so excited for this character’ and ‘I hope no one thinks we’re copying this hype’. I’ve seen this kind of thing happen to plenty of other artists and storytellers before, so we can’t really feel too bad about it. Them’s the breaks!

What is your ultimate goal in comics?

Adam: I love entertaining others. Growing up I’ve always found myself sucked into stories, whether it be from a book, comic, RPG, or just a really exciting board game.

I’d love to always be in a position where I can help relieve stress through the worlds I help bring to life.

It would be incredible to be well known for creating those kind of immersive experiences. Comics are just one way to do that, and I’ll be writing for as long as there’s someone out there who enjoys my work.

Colin: A part of it is quite practical, I find comics to be a good form of practice for my art. Ultimately though, I think it’s the collective enjoyment of sharing stories. At first the work was quite overwhelming for me, but when readers started feeding back to us how invested they’d had become in these characters’ tales and how much enjoyment they receive. I felt all that work was worth the effort.

If you had a dollar for every comic you have started but not yet finished.. How many dollars would you have?

Adam: Comics, 0. Books? At least 4. I get to live out most of my ideas in my weekly D&D sessions, but some narratives just require a little less interaction from my audience.

Colin: Maybe about three. Usually I axe a lot of ideas before I even get started, haha. I’m definitely going to try to make another two bucks in the next year!

Any parting words for the people out there gentlemen? And how can people find what you’re up to?

Adam: I don’t think we have anything more to add, but we do want everyone to know how exciting it’s been to be a part of this growing community. Not just on ComixCentral, but in terms of indie comics in general. Everyone has been the best. There’s so much creativity out there, and everyone we’ve encountered and have spoken with has been so positive and energetic about their work. It’s been an incredible experience, and we’re so glad we can contribute to the positivity.

If you like the work we do on Folklore then you may want to check out our website, which has a lot of extra background information on our cast of characters, plus a short story we wrote for our fans on Halloween. All of our work is also available for free on Tapastic and Webtoons, but it’s your support that lets us continue to work on Folklore. Every purchase on ComixCentral helps our ongoing development, but if you’re interested in supporting us for a bunch of cool perks we recommend that you check out our Patreon!

In addition to regular weekly updates we have a lot of cool behind-the-scenes details, like WIP pages, monthly raffles, and the opportunity to appear in Folklore as a minor character! (Please note: We reserve all rights to terribly maim or dismember your avatar at our discretion.)

You can find all the cool details at patreon.com/Folklore, or just bug us via tweets anytime you’d like. [links below]


And with that, our time here is over, and we’re not embarrassed to say we’re a little choked up about it. We’ll have to do this again!

We want to thank the boys from Random Encounter Comics for taking the time to answer our questions and letting us dig a big fork into how things get done in their amazing world. I learnt some new things today and LOL’d more than once!

If you’d like to learn more about Random Encounter Comics, buy their books or connect with Adam and Colin, the links to do all that are below.

Now go make some comics!


Connect with Adam, Colin and Random Encounter Comics!

FolkloreComic.com

twitter: @FolkloreComic

twitter: @34thGingerbread (writer)

twitter: @unartifex (illustrator)

comixcentral : Random Encounter Comics

Grab Folklore issue 1 | Folklore issue 2





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LANCE LUCERO

This week we had the distinct honor of landing an interview with a true self-made Indie Comic Entrepreneur, Lance Lucero — owner and founder of Warehouse 9 Productions Ltd.

Lance’s company publishes one of the most original comics we at ComixCentral have ever had the pleasure of reading, BOB: Non-Union Psychic. Not only is the illustration work of Francisco Resendiz a stunning feast for the eyes, Lucero and Volle’s writing keeps you turning the pages, giggling, eyebrow lifting and wanting more of that less than ordinary spunky hair stylist, BOB.



So without further adieu. Here is our interview with Lance Lucero- Non-Union Comicbook creator extraordinaire! Get out your pencils creators-in-the-making, he’s got some great advice you’re not gonna’ want to miss!

Hi Lance! Could you tell our readers a little bit about your company? When did you get your start?

Lance: The late 90’s. Warehouse 9 Productions, Ltd. was launched for the production of my independent feature film debut HUNTING FOR FISH (in the re-mastering process at present). https://vimeo.com/user2463860 . Originally, I considered myself a filmmaker, first and foremost, but then realized that it is important to keep producing projects in many different forms of media.

In 2015 I expanded the company into publishing, testing out the waters with the indie digital comic book BOB: NON-UNION PSYCHIC. I was a hit! So the series continues!

What made you decide to start creating Comics?

Lance:I had worked with Adam Volle (co-writer, editor BOB: NON-UNION PSYCHIC) on a screenplay many years ago. He’s a talented writer and a really big comic book fan. At the time Adam was about to get a segment that he had written and produced titled THE KLANSMEN IS DEAD published in a SHOOTING STAR Comics Anthology. That was really exciting to see! Adam is the real deal, so I knew he would be the person to work with if I ever wanted to dip my toe into the comic book industry.

In 2014, I thought the time was right, so I tapped Adam on the shoulder and pitched BOB: NON-UNION PSYCHIC to him. The rest is history.

What kind of comics does your company publish?

Lance: Warehouse 9 Productions publishes commercial without being typical, independent, underground, quality renegade stories. If a comic book fan is tired of the same-old-same-old, look to Warehouse 9 Productions and check out the BOB: NON-UNION PSYCHIC series! We will entertain.

Could you tell us a little about the team behind BOB:NON-UNION PSYCHIC?

Lance: Lance Lucero - writer, producer, director, editor, graphics designer, and comic book creator. / Adam Volle - writer and editor extraordinaire! A scholar, a teacher, a world traveler. / Francisco Resendiz - brilliant illustrator and colorist. Destine to be a star! / Cottrel Burks – Master web designer and graphics artist. Without Cottrel we would have no place to call home on the Internet. http://warehouse9pro.com/

What about Warehouse 9 stands out? What makes you guys unique?

Lance: What’s interesting about the comic book team at Warehouse 9 is the age difference, the cultural diversity, and living location. We reside in the United States and abroad. Of course, this is nothing new because of the digital age, but it’s reassuring to know that despite all the differences, there is a love and passion for storytelling and art. It’s the glue of the team and is helps create fun and exciting entertainment.

Everyone has moments that they’d like to throw in the towel, how do you get and then keep momentum on your projects during those times?

Lance: “Throwing in the towel” is not an option. That would be too easy to do in the independent realm.

They key is NOT to wait to be accepted by the gatekeepers. It’s the BOB mantra – “Bob Holbreck is not just a character in a comic book – he’s a STATEMENT. Why let the gatekeepers dictate who gets in?”

We live in a special time where a person can create a product and throw it out into the world without the backing of a major entity. Oh, sure it would be nice to have some major company knock on the door and offer a deal of some kind, but one has to be realistic and understand that’s probably not likely. Paying your dues is taking a risk on yourself; creating a quality work; standing on a table and yelling, “Look at me!”

It’s a long-term investment and rewards do not come initially in the way of a big payday, but rather in the way of a budding fan base and positive reviews.

In order for me to keep the momentum alive, it’s all about keeping the team together and creating awesome stories and promoting them any way you can.

Is there any advice you wish someone had given you when you were first starting out in the Comicbook industry?

Lance: I have always been a self-starter. I wish someone gave me advice, but I have just had to do my research and trust my gut.

What do you think the “big publishers” like Marvel and DC could learn from the Indie scene and vice versa?

Lance: That’s a tough question… I don’t believe Marvel and DC want to learn anything new, especially from the indie scene. They (Marvel and DC) are all about “re-inventing” the same materials that have existed for decades. I don’t think the big two are interested in new content. Plus - Marvel is owned by Disney and DC is owned by Warner Bros., which means they have nothing to worry about; they will continue to milk their titles to the end of time in all forms of media.

What have I learned from the big two…? Don’t get me wrong, I’m a long time fan and that’s the problem. I think it’s okay to be different. I want to create something that does not fit into the usual “standard. Independence is tough, but it’s also very liberating.

Do you cosplay?

Lance: I don’t cosplay, but Halloween is my favorite holiday. Which means special attention is paid to creating awesome costumes for parties and special events. Have a look at the amazing seamstress work of my significant other, Lori.

Reed Richards and Susan Storm of the FANTASTIC FOUR. Constructed out of athletic fabric, not spandex. We worked out for nine months before we stepped into these form fitting super hero outfits. Hey, if you want to be a super hero, you better get in shape like one!

 

Something more sinister, Alex and Georgie, from A CLOCK WORK ORANGE. Yeah, we made real codpieces…

 

And our crowning achievement to date, the famous 18th Century hairdresser Legros de Rumigny and doomed Austrian queen of France Marie Antoinette. Legros is featured in BOB: NON-UNION PSYCHIC #1 “The Legend of Legros.” There’s nothing cooler than dressing up as one of the characters from your own book!

Those are amazing, you guys are a creative powerhouse! Back to the questions: What is your ultimate goal in comics? What does the future hold for Warehouse 9?

Lance: The ultimate goal is to create more entertaining content and branch out to other forms of media. Hey, might as well think big, right?

Knowing what you know about the publishing industry and self publishing, what advice would you give an up-and-coming creator looking to get their comic into the hands of readers?

Lance: Incorporate. Protect yourself legally. Be prepared for a long-term investment.

Be prepared to run a marathon when it comes to promoting your product.


And with that sage advice kids, we’ll wrap it up!

We want to thank Lance for taking time out of his busy schedule to touch base with us and give the world a look behind the curtains at Warehouse 9.

If you’d like to learn more about Warehouse 9 Productions Ltd, connect with them or get in touch with Lance and his team, you’ll find great links below.

That’s all for now, go make some Comics!


Connect with Lance and Warehouse 9 Productions:

www.warehouse9pro.com

twitter/@Warehouse9Ltd

https://vimeo.com/user2463860

 





 

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Behind the Scenes!

We’ve shown the cover, trailer, banners, and various other teasers of the new BOB: NON-UNION PSYCHIC #1 “The Legend of Legros” comic book, but that’s the finished glossy version.

What really goes into making a book of this epic scale? Who are the movers and shakers behind such a mammoth production? And what do they have to do to bring such a quality and entertaining book the masses?

We’ll, let’s give a shout to the BOB production team!

There’s Adam Volle – writer, editor and research hound extraordinaire! This kid knows his comic books! He not only helps build the amazing story, but he checks my spelling and grammar as well. Honestly, that’s putting it mildly; Adam scrutinizes every sentence, every page, every panel, every letter balloon, to make sure it’s all perfect!

There’s Francisco Resendiz (FR)– our brilliant illustrator and colorist. He truly brings the book to life with his amazing art! Enough said.

There’s Kurt Hathaway – world renowned letterer. He adds the next level of punch to the pictures, the words. He turns it into true literature, making it fun and dynamic. What’s a comic book without the “POW!” and “BANGS!”

And then there’s little ol’ me, Lance Lucero – just a guy with a dream, bringing talented people together so they can created something profound and really cool.

Anywho, a special thanks to the production crew for bringing BOB to life! Here’s how we did it!

If it’s not on the page, it’s not on the stage, right? Next, Francisco take the words and hits us with a layout.

After we approve the layout, FR is off and running! Inks and colors! How pretty!

Then, Kurt steps in and add the letters and voila - we have a comic book!


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Katrina (Ayla Speaker for the Dead)

I lived through Katrina.

I’m not saying that in a boastful way. I didn’t live in the city, I was across the lake on the Northshore. My home had minimal damage. I didn’t lose any loved ones in the storm. There were a lot of people that had it a lot worse than I did because of that storm. But everyone that was living here during that time will never forget it, no matter how little or how great its impact on their lives.

My roof needed replacing. My BBQ grill was a gone, I had forgotten to bring it inside and a tree limb fell off and pretty much took any idea of cooking on it again away. I cleaned myself out of a bowl for a few weeks, replacing it with bottled water. I used a car battery and solar power charger to run a fan for at least half the night before the charge would die. This was in September, in New Orleans it’s still hot and humid during that time of year, especially without air. We opened the store where I work at to first responders to come in and get sock, shoes, dry clothes, flashlights, whatever they needed. We took notes on what everyone picked up, later to charge whatever part of the government we needed to but ended up throwing the list away. Some of these people were still in the same wet, dirty clothes for days.

During the time of Katrina, I kept a blog, I’m going to reprint some of my posts from that time, just to give everyone a brief glimpse into what was going on at that time.

From that Sunday:

Today started at six. Actually, that was the time I was supposed to be at work, but either I slept through my alarm or it didn’t go off. I woke, rolled over and saw the time was at fifteen till six. Oops. I jumped up, dressed quickly and was on the road within minutes. I made it to the store just a little after six. Steve and Heather were waiting for me outside the building. We were supposed to have about eight associates coming in. We were going to open only till around 11, see if anyone needed to come in for hurricane supplies and to finish getting the building ready for the hurricane. Jessica and Timmy showed up not long after I did. We decided that we weren’t going to open at all, over night they had announced that Katrina was up to cat 5 now and heading right towards us. Slidell south of hwy 12 was under mandatory evacuation, that was only across the street from us. So we figured we’d finish getting the store ready to weather the storm and then head out. First off we got some money from petty cash and sent Timmy to the McDonalds to get us some food. It was open when they passed it on the way to work. We had to finish wrapping the registers and finish putting plywood over the front of the store. I had to do the Sunday fax, which is payroll and sales figures for the week. Need to send that so everyone gets paid for the week. While we were getting things ready Jessica’s parents called, they wanted her home so they could leave, they had decided to leave the city now. We turned on one of those small portable TVs we sell to watch the news. They said the Crescent City Bridge was like a parking lot, they were advising people not to take it. I knew my brother was still on the Westbank, he hadn’t left yet. I called him to tell him he better get on the road. We finished everything by around nine. My brother called me and said he was already in Slidell, I wasn’t expecting to make it until later that day from the way they were talking. He said traffic had not been a problem.

Kenneth went back to my place to help me bring some stuff outside into my house so it wouldn’t get blown away. I also had to pack. I know, I always wait until the last minute to do anything. Then we headed towards my parents. The plan had been to go to Picayune and stay in a hotel there with my parents, but since the night before they had changed their plans. A cat 5 hurricane changes a lot of plans.

We got to Picayune without any trouble. The Highway going out that way was using both lanes to head traffic out of the city. It looked strange seeing traffic on both sides of the highway going the same way.

We were on the road by twelve. Instead of the interstates, we were going to take the small state highways and head to Tennessee where my Mother’s family is. We took hwy 11 to hwy 13 to hwy 35 and then briefly got on I 55 till we got back off and on hwy 7 to Memphis. Actually outside Memphis. We ended up at my Aunt Shirley and Uncle Troys. They took us in without the bat of an eye. I haven’t been back up this way since I graduated high school, so it’s been a few years They were even willing to take in Buffy and Sheba, my parent’s dog.

It took us eight hours to get there, which wasn’t that bad. We never ran into traffic and the way was easy and smooth. We made one stop at Wendy’s to eat and let the dogs out for a walk. Buffy sat in the passenger seat and just watched the scenery pass by without a bark. Every now and then she would try and curl up and sleep, but it never last for long, she would jump up into a sitting position and stare outside the car.

I think we were all in bed by ten that night. It was a long day.

I almost didn’t leave that day. I was going to ride it out. But luckily when I saw how strong the storm was getting I decided retreat was the best option.

Today is the day we decided to leave our safety of Tennessee and head back home to see what our homes look like. From what little we can gather from the news and the internet Picayune where my parents live is not as bad off as a lot of what we’ve seen on tv. The Westbank where my brother lives, from the phone call my sister managed to get through, did not get hit too bad. Now when I say not too bad, this is all relative to what New Orleans and Biloxi went through. From everything we’ve heard about Slidell, where I live, the hurricane hit hard and bad. The storm surge was supposed to be fifteen to twenty feet high.

We left at six in the morning. Shirley wanted to cook us breakfast, but we decided to head out as soon as possible. We were going to try and retrace our path to Tennessee, by traveling the back highways. Again we found little traffic on the roads. As we got further south the terrain began to change. At first, we saw a few branches on the side of the road, as we rode on we found trees broken and lying on their side.

After hitting the center of the state gas became almost nonexsitent. Every time we stopped at a gas station they were either out of gas or they had no electricity and could not operate their pumps. Not far out from Picayune the scenery became even worse. Trees were snapped along the side of the road. Not just one or two, but as we drove down the highway the trees that paralleled the road were snapped like twigs. We passed one gas station and the top that covers the gas pumps was blown over. Fronts of buildings were blown over. Trees that were huge, that looked decades old, were uprooted and lying on the ground. Sometimes they were lying across someone’s home.

On the side of the road, a tree was blown over and was being held up by the electrical wires strung between the poles. The entire thing leaned over towards the street. This was not good, eventually, it was going to come down if it didn’t get fixed soon.

We turned down a road near my parent’s house, one that I’ve traveled a thousand times. Trees on both sides of the roads were snapped in half. The road was almost unpassable. Many times there was just enough room to travel on the road. Then we came onto a pile, at least twenty feet high, of trees uprooted across the road. We were not going up that way. We turned around and went down to another road which we were able to travel over.

I held my breath as we turned up the driveway to my parent’s house. They have a long dirt driveway, about forty feet long before their home. In the middle of the driveway was a tree. We parked the cars and walked the rest of the way. They had two car ports off to the side that was now in the middle of the yard. One of them had literally been lifted up, blown over a fence without touching the fenced and was lying bent in two in the middle of their yard. The roof of their shed was peeled back, part of it had been ripped off and was hanging over their patio cover. The side window on my father’s shop was broken and the door to the shop was blown off. But all his tool were still inside and looked in good shape.

The good news was that their home was fine. Some shingles had been blown off the roof, but besides that, it looked good.

My brother and I went down and cut the tree apart so we could drive all the way up to the house. My father needs a chainsaw. We had to cut the tree apart with an ax and a saw. It took us a little while but we managed.

A few more things and then I decided to head home. My brother was going to stay the night. He was going to have to go the long way around New Orleans to get to the West Bank, so he wanted to make sure he had a full day to try and get home.

My gas tank was getting closer to E, but I didn’t have that long a trip. As bad as it had been so far, Slidell was worse.

I’ve never been in a war zone, but I’ve read how when a bomb goes off it just shatters the land, the shock wave can snap the trees in half. That’s what the land looked like

as I tried to get home. When I turned down the street to get back towards my home all I saw was downed trees. It was a lot of weaving back and forth but I thought I was going to make it, till I got almost to the end and a tree was blocking the street. The good news was there was a backhoe there, looking like he was getting ready to move the tree aside. I decided to drive down to the store and see if anyone had made it there while the moved the tree aside.

Two campers were parked in front of the store when I got there. The door was unlocked. A stranger was at the doorway. He was from loss prevention. He said Loretta, our district manager was in the back of the store. I went back and talked with her for awhile. She had talked to just about all the other managers and everyone was safe. When I mentioned that I was almost out of gas she came to the rescue, she had a gas can in her car with gas in it. At least enough to get me around for another day, I was on E now.

I won’t mention the fact that I locked my keys in my car when I went in, it was that type of day.

I left to try and get back home. This time the tree was gone. I had to dive under a leaning tree that looked like it was leaning too much, but I made it. As I drove back towards my trailer I was getting nervous. I passed one trailer where the entire side was pulled loose. I turned on my street.

I had a wooden fence around my trailer. Not one part of the fence was still standing. It was flattened. Part of the pine tree in my front yard was on my porch. My gas grill was upside down. I stood in shock. The trailer looked good though. Across the street, from me, there was a tree across the front of the trailer. In another yard, a huge tree was on its side. I took some pictures, I’ll post as soon I can get them developed.

I opened the door to my refrigerator and took a step back. Whoah, it smelled. I filled two big garbage bags with the entire contents of the refrigerator, there was no use to try to save anything in it. I brought in all my food and water I got from Memphis and set up as best as I can. I’ve got my little portable tv, some food, something to drink. No water, no electricity. I opened all the windows, some of them barely opened, I don’t think I’ve even opened some of them, I use the air conditioner instead of open windows. But it is still hard in here, sleeping is going to be fun. But at least it’ll be in my own bed.

I’m going to watch a little more news and then probably head to bed. I’m off to work tomorrow at six, we’re going to try and get open where at least people can get some things they may

These next posts are from my first days back. The problems I faced with minuscule compared to what a lot of people were facing and we’re going to face in the future.

The problem with writing these posts is that I tend to do it at the end of the day when I’m tired and not wanting to do anything. My mind has shut down and just want to rest along with the rest of my body.

Today started at five in the a.m. I was supposed to be at work at seven, mainly just a chance to see who was here and figure out what we’re going to do type thing. Sams was supposed to have gas at six this morning. I got up, brushed my teeth and managed to clean myself with a washcloth and bowl of water. Right now two of the most precious commodities we have are water and gas.

I got to Sams at around 5:30 or so. There already was a line. I’d say there were at least sixty cars ahead of me. I parked, turned the car off and waited. I got out and started talking to the people around me. I was parked next to a Sams employee that was directing traffic. He was from out of state, I forget where now. He was part of Sams disaster team, they go in after something like this and help to get the store running. They already had a generator running and the store was opening at seven. That was also the time he told her they were supposed to start selling gas.

By seven the line had to be a couple hundred cars long behind me. He figured they had enough gas to last about four hours. Once they started it went fast. They had a lot of pumps and they had an employee working each pump. Full-service gas, what a concept! He pumped it and took my money. They had it organized very well. They didn’t fool around with the cents, they just took the dollar amount, saved them time with having to deal with a lot of change. The only bad thing, and I didn’t think of it but I should have, was that you had to pay with cash for the gas. I hardly ever carry cash around, I’m so used to being able to use my debit card for anything. Luckily I had some cash from my trip to Houston, my per diem and gas money and etc. By then it was almost eight o’clock.

I zipped over to work. Steve was the only manager there. Darryl (the store director) was not there yet. Loretta (the district manager) was there. Right after I got there Darryl showed up. He actually showed up while I was in the back of the store shopping. I figured there were some things I needed before we opened and they all disappeared.

They were sending in a team of about twenty associates from the Texas stores in campers to actually run the store, they figured the associates had enough to do right now. The associates could work if they wanted to, but this way it enabled us to open and serve the customers. The plan is to only let in around twenty customers at a time, stay with them as they shopped. We had a generator running so we actually had lights and some air conditioning.

One nice thing Loretta told us that the company intended to keep paying the managers no matter what. Now I know that could change later, but I thought that was pretty nice of the company, especially when they’re sending in other people to do our work so we can attend to personal matters.

We decided that we wouldn’t open until Monday. The Texas people wouldn’t be there until then, so we figured there was no way we were going to be able to do much. Steve had to bring his wife to Arkansas, she’s pregnant and he wants her around doctors and a more stable environment. Darryl wanted to get back to his in-laws and help with the cleaning. He figures his house is gone, he lives in Chalmette which is just about all under water. I was getting some stuff from the store for my parents too, so I wanted to drive out there and give it to them and see if I could help them out some. Plus I had a lot of stuff to do at home.

I filled two buggies with stuff. I got two camp stoves, ideal for cooking inside. Darryl showed me this device that connects to a marine battery we sell and then you can plug a light or fan into it. So I got two marine batteries and these devices. I got a cooler, I don’t own a cooler. I ended up getting a bunch of stuff I figured I could use.

I would have got my brother some stuff too, but he was supposed to be going to the Westbank early this morning and I wasn’t sure when I’d see him again with the ways things were around here.

While I was there some police officers and national guardsmen came in for some stuff. We’ve been letting them come in, get whatever they need and just write it down and we’ll worry about the money later. That was what Darryl let me do too.

I went home, dropped the stuff off and headed back to Sams. They would take a check if you were a Sams member, which luckily I was. I wanted to get some ice more than anything and figured I could stock up on some foodstuff. Of course, there was a line. I have an idea that before this is all over with I’m going to stand in a lot of lines. They were only letting about two dozen people in at a time. The line moved fairly quickly and wasn’t that long. It took me about thirty minutes to get in.

I got a lot of canned goods and some other things that I hope will last in this heat. And my ice. I was going to get a fan, I don’t have one at home, but I forgot.

Back home to drop this stuff off, empty the ice in the cooler, which only took about half my ice, so I figured I’d bring the other half to my parents. Then back in the car and over to my parents.

I was surprised when I got there to see my brother there. He had already tried to get into the Westbank and couldn’t. They’ve declared martial law there and are not letting anyone in. They said starting Monday they’ll let people in. I was glad to see him but knew he was upset about not getting in. He just wants to know what condition his house is in. He is pretty sure that there was no flood damage but a tree could have fallen through, or looters or who knows. On the radio, I heard that looters burned Oakwood Shopping Mall down, which is the big mall on the Westbank. It’s one of the busiest malls in New Orleans. The not knowing is driving him crazy.

Then I felt bad cause I didn’t get him anything. I’ll go back tomorrow and try to get him some things, at least the camp stove. The good thing is that he’s there for the next two days to help my parents around the house.

I visited for a little while then jumped back in my car to head home. I had a tree on my porch I wanted to try and get off. I got home, ate some spam, but I was able to cook it on my camping stove! Such small joys make us feel more human.

One of the things I got at work was a saw and ax. The entire top of this pine tree was on my porch. I’m lucky it didn’t fall a little further and go through my roof. It took me about two hours to cut it up and throw off the side, but my porch is now clear. I’m going to put my outdoor furniture back out there, so it’ll clear up my living room. I still am going to have to cut the tree up into smaller pieces to get out of here. I just cut off limbs and chunks so I could move it.

The rest of the night I plan to spend watching tv (I have a little portable tv I’m sure I’ve already mentioned), maybe eat something else and turn on my fan and then probably to bed. Tommorrow I’m sure will be another fun day.

The next day:

Another late morning, I got up at eight this morning. Mornings are the best time of the day. Last night my battery much not have charged completely, the fan went off before I fell asleep. But it was not that hot so I didn’t’ worry too much about it. But at seven or eight in the morning there is a slight chill in the air and it feels so good. Makes you just want to lay there and not move.

Went to Sams today for more ice. It looks like the cooler will hold the ice for about two days and then I’ll have to be getting more ice. I have to get twenty pounds of ice from Sams, they sell everything in bulk. That is more ice than I need so I noticed some more of my neighbors across the street are coming home so I went and gave them a bag of ice. I want more people to come home. There is safety in numbers.

On the way to Sams, I stopped at the store. Darryl was there, talking on the phone to Loretta. I talked to his wife while he was on the phone. The store was boarded back up, all the people from home office had left. After Darryl got off the phone he told me that they decided not to open until Wednesday or Thursday, that most people needed food and things like that more than what we sold. He said Loretta was pretty ragged, she’s been traveling to the stores and seeing all this damage and it has to be getting to her. The store in Gulfport was wiped out. The one in Hariharan has been looted and has standing water.

Afterwards, I went to check on my parents. Today is the last day my brother will be there. He is heading home tomorrow, they are lifting the ban at six a.m. to get into Jerffersion Parish. Yesterday my Dad collapsed, he dehydrated himself. I’m glad my brother was there. He put him in the van and turned the air conditioner on and they gave him a lot of water and soaked him down. He still isn’t feeling all that great today, but maybe it is for the best. It shows him that both he and my mother have to take it slow in this heat. They can’t try and do too much too quickly. Better it to have happened now when my brother was there than later. I don’t know how often I’ll be able to get up there with gas so hard to get hold of.

The WalMart in Picayune was open some, my brother, mother, and sister went. I wanted to get some stuff that I couldn’t find at Sams. I ended up spending close to a hundred dollars. I got some more food, but I also got a rake to try and help clean my yard up and a push broom. I want to sweep the street in front of my home, just to try and make it look better. Right now every little thing that makes things look a little more normal is a help.

They also got a generator. It lasts for about eleven hours. I’m thinking of going to Sams and getting one of the smaller generators. I’m just worried about getting the gas for it. It takes about five to six gallons for twelve hours. I have two five gallon tanks if I can get them filled. I don’t mind spending the money on a generator if I can keep it running, I hate to spend the money on it and then not even be able to get the gas to use it.

I’ve been out in the yard cleaning still. I finally got all the tree from my yard to the front. There is still a lot of pine needles and pine cones in the yard, but that’s what I got the rake for. My brick patio was covered with debris from the tree. I cleaned it and it looks better than it has in awhile, to be honest. I even weeded in between some of the bricks which I haven’t done in too long. I figured that as I clean I just as well get things looking as good as I can.

Ok, that’s it for now, later tonight if this laptop doesn’t die on me. I wasn’t able to charge it last night since the battery didn’t charge completely. Between charging the laptop and having a fan run, the fan wins out.

And the next day:

Today I decided to sleep in. So, of course, I woke up at five a.m. To my surprise, the fan was still running. The power inverter was still working. Actually, the battery was still working, I figured it was going to die sometime during the night. And then it died. Still, it lasted longer than I expected. And now it was cool outside, this time of the morning, so it didn’t feel so bad.

I went back to sleep and woke up around eight. I got up and did my little washing by the sink. I wet a washcloth, soap my body and then run the washcloth over my body again and then dry off. That’s my bath.

I decided to take all my can foods and put them out where I could see them. Why? I don’t know, I just felt better doing it like this. That way I wouldn’t be surprised when I was running low on food, I wouldn’t miss something in the cabinets. I took a small bookcase I had in the hallway and put it on the back side of the bar and filled this up with all the foodstuff I bought from Sams yesterday. Then I went through my cabinets and took what I thought I could use and put them in the bookcase. I found some stuff that I just had to throw away.

Next, I decided to clean out my refrigerator. It was empty so I figured this was a good time to give it a good scrubbing. Afterwards, I put some water and drinks in it to store.

I forgot about my upright freezer. It was full of food. So I had to take a garbage bag and go clean it up too. I emptied everything in the garbage bag. I took everything to the trash dumpster. While there I was talking to a few other people that were from the trailer park. One guy said that someone tried to break into his trailer last night, only to run away when someone shined a flashlight on them.

My neighbors on my left came home. They had gone to Tennessee to ride out the storm. They actually weren’t here to stay, they were just coming to pick up some things and check on their trailer. They had brought a truckload of water back with them and gave me a case of water.

My neighbor across the street, Chris, had stayed in his trailer during the hurricane. He said the wind literally lifted the trailer up and shook it. Luckily it didn’t lift it too hight. During the night someone had stolen his battery out of his truck. He was fed up and wanted to leave. But he had no battery. He had no phone, the phones, the cell phones still weren’t working. He wanted to call his brother to come get him. He thought a phone in Pearl River at this local store was working so I agreed to take him down there to see. We tried three different places before we found a phone that worked. But it only worked with a calling card, money just fell through it.

I brought him back home. He wasn’t that happy, but there wasn’t much more we could do.

I was pulling the tree that I pushed off my porch into the side of my yard to the front of the yard. This was hard work, the limbs all twisted together. My body is covered in scratches and cuts from the pine cones and needles. I got maybe a little over half of the tree moved to the front. What I’m going to do with it here I’m not sure, but I feel better getting it in the front by the side of the road.

Chris found a battery and hooked it up. I had about a gallon of gas in a gas tank that I used for my lawn mower and gave it to him. He had about half a tank.

I was exhausted. I sat in my chair on the porch and just did not want to move. I drank two bottles of water. Actually one bottle, the other bottle I filled from the melted ice in the cooler. I never imagined water could taste so good…I’m sure I’ll be repeating that in the time to come.

It’s dark outside now and I keep hearing cars go up and down the main street, up and down. Now I just heard what is either a car backfiring or a gunshot. To me, it sounded like a gunshot, but I can’t know for sure.

The breach in the levee may be filled tomorrow. Hopefully, it will be. That will make a big difference in New Orleans. I just saw an interview with the Mayor of New Orleans and he looked completely exhausted, mentally and physically. I’m going to watch a little more tv and than probably go to bed.

And the final post from then I’m going to reprint:

It’s been nine days since this started. And probably a multiple of those nine days before we get anywhere close to normalcy.

Today I slept really late, it was after eight before I got out of bed. I woke up with a headache and really did not want to do anything. I got up, washed and brushed my teeth and then tried to figure out what I wanted to do today. Since I had more bananas than I knew what to do with I figured I’d drive over my parents and give them the ones Sams gave me. When I got there no one was home. The front door was open, the dogs were inside. They are terrible about going out and just leaving the door open. They think because they live in a small town that there is no crime. And what’s worse with the hurricane there are looters everywhere.

I went in, walking through their house to see if someone was in the back or maybe out back. As I walked through I heard a motor humming. Then I realized that it was cool inside. I flicked a light switch. The light came on. They had power! Wow, what a difference that makes.

I looked in their refrigerator and found some turkey. I made myself a sandwich. They even had mayonnaise! I felt like I was in heaven. I would kill for a hamburger right now. Even the stores that are selling food at the moment are not selling any frozen stuff or meat. All that was ruined in the hurricane, so they’re cleaning the racks and getting ready to get some in I hope.

I waited around for about an hour and when no one showed up I left. I came home and went to raking the yard. I raked most of the front yard, all the pine needles, pine cones, tree bark and whatever else is in the yard. At least it’s starting to look somewhat normal.

There’s a nice breeze blowing through right now. It’s keeping the place fairly cool. But it has the feel of rain and that’s something we don’t need.

As I was raking I kept looking at my fence. I was thinking the front part I could fix by myself. It was not completely blown down, just leaning forward. If I could push it back, prop it up I could fill concrete around it and it should stand. It sounded like a plan so I went to Home Depot to get the concrete and wood. While there I saw Walmart was open so I decided to go there too. I needed a hoe and shovel and Home Depot’s garden section wasn’t open.

While in Walmart my phone rang. It hasn’t been working since I talked to Heather last night. I was able to get through to Paul Stewart and leave a message that I was alive, but that was it. It was my brother. He had made it back to the Westbank ok. His house had gotten water in it. The bedrooms and part of the den were flooded. A couple inches of water he told me. He had pulled up some of the carpets. He said he was coming back to my parents tonight, the smell of the standing water was too much for him to stay in. He’d go back in the morning. I told him I’d go help him tomorrow if he was going to come back tomorrow night.

I got home and unloaded all the stuff I bought. I went over to push the fence up. It was a lot harder than I thought it was going to be. The fence did not want to move. I had to wedge one of the boards against it and push the board down, pushing the fence out and back towards what I hoped was more of what a fence was supposed to look like. I went to the lake and filled my bucket up with water and came back. I filled the holes with cement and then water and mixed and kept it up till I had a lot of cement around the fence posts. Hopefully, it will work. If it works there are a few other sections of the fence that blew down like that. I can get them up and cement in place and then the remaining pieces I can attach, like a giant puzzle.

I think I’m going to go spend the night with my parents tonight. I can take a hot shower, sleep in air conditioning and otherwise act like a normal person again. That way I’ll be there when my brother wants to leave too. I’m sure he is going to want to leave early. He said it took him about four hours to get into the Westbank today. Tommorrow will probably be worse, more people will be trying to get back in than.

I’m not going to go into the fact that a few days after this I ended up in the hospital. My appendices had turned gangrene and I almost died. Yea, I’m all about the timing, but that’s a different post and besides the fact that the hospital had one doctor, no roof but was still waiting on as many people as they could, that’s a story for another time.

While there is no hurricane during this story arch for Ayla the history of her time and her city are deeply reflected by the histories of hurricanes. Here’s a post I wrote two years after the storm:

At least they picked up the sign. Driving through New Orleans East, coming in from Slidell, on the right side of the highway, in what had been one of those groupings of stores in one area, there was a sign for Save-A-Lot supermarkets. It had been pushed forward by the winds and snapped in half, so it was laying on its side. Every time I drove that highway I saw that sign. Yes, there were a lot worse things to see, right there on that highway in fact, but for me, that sign became my white whale of Katrina. For over a year it sat there, next to a store that was no longer in use, next to a whole bunch of other stores that were no longer fit to be used. Finally, someone took the sign down and hauled it away.

The Sams store that was near the Save-A-Lot’s has been cleared to the ground. So has the Walmart. The Lake Forest Mall, right across I-1o from all this has also been completed razed to the ground. I remember when I first moved to Louisiana we (we being my parents and brother and sister) drove all the way from the Westbank to Lake Forest out in New Orleans East for the Farrels ice cream parlor. There also was an ice skating rink in the middle of the mall.

There’s a sign on the site where the Mall used to be saying that there is a Lowes coming soon. I’m not sure how they’re going to find people to staff the store. They still don’t have a grocery store open in New Orleans East. There are some people moving back, but they need stores near them that can provide the necessities. These stores need people that can provide work for them. It’s a cruel circle.

My parents would still be living in Mississippi if hadn’t been for Katrina. Or I mean my Mom would now. They only moved after the storm, when they came back to find their car patios in their front yard. I think the storm really scared my Mom, she was in a rush to move. Which has been a blessing and a curse? I miss not having her near here, more so now, since my Dad died. And when he was sick it was hard. But it is also good because that is where all her family saves for me and my brother is. There is a lot more family up there to give her support than either my brother or I could by ourselves.

I do have to admit that Katrina might have saved my life. After coming back from the storm I ended up in the hospital. My appendix had turned gangrene, the doctors told me another day and I would have been dead. I’m not much of a hospital person. I rarely go to doctors. The only reason I think I went then was that everyone was talking about “Katrina flu,” people were getting it from the air and the water. The day before I had been on the Westbank with my brother, helping him pull up the carpet. I thought I might have picked something up in the water from the flood. So I went. I was in a lot of pain, so even without that excuse I’d like to think I would have gone to the doctor, but I don’t know.

People in Lakeview, which was one of the hardest hit areas in the city, are actually making a comeback. They’ve managed to do a lot of it on their own. With their own money, borrowing money, and getting the work done. Which is great and to take nothing from them, but they are also an affluent section of the city, so they had money to start with. Areas like the 9th Ward, which doesn’t have the money to do it on their own are still hurting.

You can still drive down streets and see the big Xs on the side of houses. The X was made when the rescue teams searched the house. They put the date, their unit number and the number of dead found in the house. Driving by a house with an X and a 1 or 2 written in black on the side is still chilling.

The little grocery store next to the fairgrounds where all our early birds for the Jazz Fest would go for breakfast is gone. This last Jazz Fest Larry and I huddled underneath its porch as the rain poured around us, but the doors were closed. The owners are said to have left town and have no plans on coming back.

One of our more honest (or so we thought) politicians, one of the few voices of reason after the storm, that called for us to come together as one, to not let race divide us, was proven to be less than sterling when he admitted to taking a bribe, years before the storm. He did something that few politicians, especially ones from this state, did and apologize to the people and admit that he made a mistake and that he let a lot of people down.

Meanwhile “Dollar Bill” Jefferson continues to stockpile his freezer with cash and get re-elected. The Mayor is fairly quiet the past months, after making a fool of himself almost every time he opened his mouth. When we as a city needed a leader, someone to take charge and command action, get things done, he was hiding in one of the high-rise hotels from the winds of the storm, not even wanting to come out of his room to talk to people.

I know people still living in FEMA trailers. But now FEMA wants their trailers back. They are telling people that they have to leave their trailers. But where can they go? Money to help people rebuild their lives is barely trickling in. The Road Home program has paid money to a very small percentage of the people needing the money.

It’s easy to forget about us down here. It’s been two years. Most people probably think that we’re ok, that most people have rebuilt and moved on with their lives. But we’re still long ways from that goal. It’s easy for the rest of the country to forget about us since our government has pretty much forgotten about us. Bush doesn’t want to be reminded of his ineptness in handling Katrina. He’ll come down here for the anniversary and talk about how things are going so good and that things are on track and that he hasn’t forgotten about us, but then he’ll climb in Air Force One and fly over our lands again and look out the window and think about something else and forget who we are.

We had politicians after the storm saying that we shouldn’t re-open New Orleans. Just write it off as a bad investment. I have friends ask me why I would want to live here, was I crazy? Even today, ten years plus after the storm, we are still cleaning up from Katrina. My brother has been working on repairing his house since then. I was going to post to some of the articles from these politicians about Katrina, but simply don’t have enough left in me to go back and re-read some of those hateful, spiteful words about a city I love.

The ineptness of post-Katrina is pretty much history now and I’m not going to belabor that point any further.

All this goes into the fact that I believe if New Orleans has another Katrina, or one even stronger, than the city may not come back. Or at least not the city as it is. I can see the government trying to make the best of a bad spot and doing something with the city.

This is just background to try to explain why in the future of Ayla the United States government decides to sell the city of New Orleans after two Katrina plus strength hurricanes within five years of each other.




 

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Adam’s Travels

Here’s a fun fact the Warehouse 9 Productions team is kinda proud of:

BOB: NON-UNION PSYCHIC # 1 ” The Legend of Legros” is a truly global production. Not only does our fabulous artist Francisco Resendiz hail from Mexico, but also BOB’s co-writer and editor Adam Volle spent the last year backpacking around the world. No lie; he helped write the script for “The Legend of Legros” while sheep-farming in New Zealand, gave art corrections from Vietnam, and proofread the lettering as he rode through Russia on the great Trans-Siberian Railroad. Talk about dedicated, right?

Like me (Lance), Adam is also a stickler for detail. So, in the course of all this traveling, it only made sense for him to do a little on-the-ground reconnaissance on behalf of Warehouse 9 Productions, in the setting for our latest issue: PARIS.

And here are just a few of the many, many photos he took from his fact-finding trip. I wouldn’t be surprised if he chose them with the intention of hinting at what you can expect from BOB: NON-UNION PSYCHIC # 1. He’s playful that way.

The grounds of the Palace Versailles through its majestic golden gates. We think Resendiz illustrated and colored the Palace magnificently, don’t you?

VERY TOP: The Concierge served as the prison for aristocrats during the French Revolution. In this room, the jailer would cut off the hair of his charges before they were sent to meet “le machine” of Monsieur Guillotin. Note: I have not misspelled “guillotine”, the inventor’s name is spelled without the “e.”

BOTTOM: The cell of Marie-Antoinette, with a mannequin sitting in for the queen.

The catacombs of Paris. Amazing what you can build with enough bodies, isn’t it? Why, we bet that if you wanted, you could build a whole new country out of them… Scary…

 

BOB’s editor and co-writer Adam Volle, taking notes on his rooftop balcony in the Faubourg St. Denis. He claims he didn’t intentionally sit for this photo. Pffft….